After the wedding (at which the queen sheds a sentimental “tear or two”), the newlyweds gaze at each other over their monumental purple-and-pink cake, which, of course, is topped with two tiny princes. Taken all together, the illustrations work wonderfully with the text to make its statement with no apologies whatsoever.
Gumpy with a crown Prince Lee is a dashing chap with a goatee and an earring. ‘What a wonderful prince!’ ” The prince and Prince Lee are duly wed, “And everyone lives happily ever after.” The exuberant mixed-media illustrations have a distinctly European flair, employing vivid colors in bold combinations, and the line-and-color human figures have a childlike, almost primitive look. There follows a seemingly endless parade of eligible princesses, but the prince is unmoved until Princess Madeleine shows up with her brother, Prince Lee, and, “It was love at first sight.
When the pushy queen of a small, unnamed country decides it’s high time for her son, the prince, to settle down and marry a princess so she can retire, he exhibits some reluctance-“I’ve never cared much for princesses”-but she eventually wears him down. Move over, Princess Smartypants: this Dutch import arrives to take top honors in the fairytale-fracturing department.
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